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Booktalk: Will There Really Be A Morning?

One of my favorite library classes was Adult Popular Literature. We discussed the importance of the trashy romance novel, played around on NoveList, created mock book clubs and gave mock booktalks. My booktalk was on Frances Farmer’s disturbing autobiography, Will There Really Be a Morning? [named after the Emily Dickinson poem], which told the tale of her rise to fame in Hollywood in the 1930s and later her tragic fall into alcoholism, mental illness, and abuse endured as a mental patient. Since it was an online course we had to submit our talks as audio files then post them to message boards for classmates’ commentary. I can only remember my professor’s comments. She thanked me for reminding her this book existed and said I sounded sleepy. I recorded the booktalk in the wee hours of the night in 2005, so the reason I sounded sleepy was because I was.

Ms. Farmer - Hollywood and then not.
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It’s sort of ridiculous to hear me giving a book report as a fake librarian. My voice is a bit hoarse and at times I stumble over my words, but I like it just the same. “I hope this talk has been an illuminating one, and I look forward to discussing this and more books with you in the future.” Well, it’s the truth. Without further ado…

Farmer, Frances Elena. Will there really be a morning? : an autobiography. New York : Putnam, c1972.

Booktalk by Renee C. Bartley, July 7th, 2005. [4:08]

Digital books and electronic resources; convenient but odorless.

Robert Darnton, Harvard’s library director, recently wrote an article for the The New York Review of Books entitled, The Library in the New Age. In it he talks of the importance of physical books in a research library and how digital libraries, although good resources, are not reliable. In particular, he discusses the drawbacks of Google Book Search, which searches and displays certain digitized books from the Google Library Project. To Darnton, a digitized document is one that may be compromised, “Google will make mistakes…it will miss books, skip pages, blur images, and fail in many ways to reproduce texts perfectly.” He worries researchers may become too reliant on Google’s digital library and be limited by what Google makes most accessible. He points out the dangers of ‘digital only’ libraries, and the potential for massive amounts of information to be lost due to power outages, file corruption, and so on.

In general, I agree that digital libraries and internet resources can be unreliable. Information found on the world wide web is ephemeral and often times, inaccurate. We have all encountered broken links and out-dated or missing information on websites. Digital libraries often contain more accurate information, however, they are unreliable in that they can be removed from the internet at any time. But their convenience cannot be denied. Anyone with an internet connection can access a wealth of information in seconds. I am all for this. And so is Darnton really. “Long live Google!” he proclaims, the only problem is we don’t really know how long Google will live. If Google was devoured by another corporation that disabled the entire Library Project millions of online texts could vanish. Which is why we still need well-stocked libraries and why relying solely on the internet for information can be risky. Digital libraries must be ‘backed up’ with the most reliable copies possible, which today, are still of he old paper [acid-free preferred!] and ink variety.

Darnton stresses the importance of the physical book for both researchers and the “ordinary reader.” With older and rare books in particular, researchers may find additional information from actually handling them [please note: handling may involve protective gloves, stiff cradles, and a strict 'PENCILS ONLY' policy] . Information about the author, the culture of the time, or even the book itself can be revealed in its binding, paper quality, and marginal notes. And for the general reading public, Darnton argues that digital libraries cannot rival the experiences held within traditional libraries; of being able to immerse oneself in books and do so in a quiet and comfortable place. And let us not forget the smell of musty old books! An odor so loved by, um…43% of French students that they continue to resist e-books, although it seems, “CafĂ©Scribe, a French on-line publisher, is trying to counteract [the] reaction by giving its customers a sticker that will give off a fusty, bookish smell when it is attached to their computers.”

Now realistically, I think scholarly researchers know older books and rare book rooms can be treasure troves of information. Having worked in one myself, I found it was evident to most people requesting the materials that they were handling hardbound bits of history, and that digital representation would not suffice. But let us not forget the many not-quite-so-scholarly researchers all over the world that may benefit from just the text of the book but do not have the resources to access it directly. This is where digital libraries and e-books can shine. They can serve to complement physical texts. After all, books are meant to be read. And the more people that can access the information contained within them the better we all are for it.

Digital libraries and electronic books can be useful and convenient but I agree with Darnton that books, those bona fide to the real thing, should not and will not be replaced by their digital counterpart. There is value in turning a page, in holding a book in your hands and reading to yourself in your favorite setting, in reading to others, in sharing books, in annotating them, in collecting them and even arranging them! To many, the act of sitting down and reading a physical book brings about a sense of warmth, coziness, and joy. Whereas, I find there is something so cold about reading books on a computer screen or e-reader and ‘turning pages’ with a keystroke or stylus. I feel as though doing so should be reserved for scanning textbooks or when no other option is available. As for those potent book smells, both new and old, well I have to say I’m a fan but I still want one of those book-ey smelling stickers.

Bookhunter by Jason Shiga: Librarians will dig it.

While at the Stumptown Comics Fest I picked up graphic novel, Bookhunter by Jason Shiga. As a former Special Collections bibliographer I didn’t see how I could resist. Set in 1972, the book begins with Special Agent Bay and his Library Police/SWAT team on a undercover mission to find the culprit behind several missing copies of The China Lobby in America. It is not before long that we find the extremes Agent Bay is willing to go to recover a stolen book and it is clear he believes book thieves should be punished - severely. In the next case, Bay is assigned the task of finding an 1838 English Bible that belonged to John Quincy Adams and returning it to the Oakland Public Library. As the story continues we learn Agent Bay does not take his job lightly and is willing to risk even his own life to return a book to its rightful owner. The book is a sepia-toned gem, written with librarians in mind. Shiga drops Dewey digits and cutters with a wink and a nod to cataloguers and his use of terms like incanabula, bone folder, hinge strips, and Caxton [eeek!] will make Special Collections librarians and book binders giddy with joy.

The book has some creative action scenes, including high-speed book cart chases and battle sequences involving card catalogues and books as weapons [which brought to mind the manga, Read or Die, and its superhuman library agent, Yomiko Readman's ability to control and shape paper into weapons and other objects.].

I will say some librarians may cringe at the investigative tactics of the Agent Bay and the library staff that so willingly complies to his request to search all library patrons’ records and check-out history. But of course this library is only loosely based on a true story [see Shiga's page] and is set in simpler, pre-PATRIOT Act times. I want to avoid being too critical so you will check out the book for yourself. Shiga has made it available in its entirety here. So read it, then get it on your library shelves for others to check out.

An explanation of why my coverage of comic book and anime-related events will be garbage.

What I enjoy most about comic book/anime conventions are the people that attend them. I tend to be less interested in what is being pushed on display tables and more curious about the artists that are sitting behind them and the people wandering about the convention room. I browse new titles but mainly I find myself craning my neck to see what the artists are reading and my eyes darting back and forth in search of cosplayers or people just getting really enthused and animated about comics.

The last comic book event I attended was Portland’s Stumptown Comics Fest. I was a bit overwhelmed at how many people attended the fest and related events. I attempted to document the fest, which resulted in photos like these:


Comic book readers and makers are neat.


I just like the Tron covers.

So as you can see, I am not the most focused attendee. Further evidenced by the fact that I did not take any photos of the Multnomah County Library’s display table [or with the oversized library card]. I think I was so excited to see them there that it slipped my mind. They had comics available for check out at the table, as well as a bunch of swag and information about zines at the library and around Portland. It was of course, a pleasure and a joy to see MultCoLib representin’ at the fest.

I’m sure I will attend more comic book/anime events in the future, but should I mention them in retrobacklore.net, do not expect a typical overview. Instead you will get a few unfocused photos, maybe a list of items purchased and why, and probably a lengthy description of the hairdos sported by the folks at the Sparkplug Comics table and Captain Harlock costume comparisons. Sorry?

Pokemon are down with ‘library as place.’

The topic of ‘library as place‘ is one that will continue to evolve as long as people question the role of libraries and their relevancy in the age of Google and Amazon. For those who have visited libraries in the past few years know they are more than quiet places to study or check out books. They offer meeting spaces for all community members, provide computer access, teach ESL as well as children and adult education classes; they are concert venues, art galleries, multimedia centers, clubhouses, cafes; they provide shelter from the rain and cold, they are temporary housing, they are sanctuaries and so much more.

And as a Pokemon fan, I am happy to see we are on the same page here:


[via] Taken by Klara Kim

I’m playing Pokemon Diamond but am currently hanging out at the Trainer’s School. I can’t wait to see the library!

And so it begins.

In March I attended Portland State University’s Manga Mania talk, presented by Dark Horse Comics‘ manga editor and guru, Carl Horn. I arrived early to an empty room but it was not long before the room was packed with faculty members, students, cosplayers, manga fans, and even a few dispossessed souls that roam the campus at all hours of the night. It made me nostalgic for my public library days working the Readers’ Advisory desk and arranging Anime Club events. The meetings were always well-attended by students and cosplayers alike. We provided bibliographies for members just in case they were not informed of the manga much of the anime they watched was based on [I'm sure most were, these kids were no rookies], and although I enjoyed seeing members rush to the stacks after meetings, I have to admit I was not the biggest fan of their manga choices. While they went gaga for Naruto and Oh My Goddess! I found myself pushing Osamu Tezuka titles, Katsuhiro Otomo’s Akira series, and Hayao Miyazaki’s Nausicaa. Well, not pushing so much as gently nudging. And sometimes they investigated my suggestions but many times they did not, and that’s OK. In fact, that’s great. Librarians aren’t there to pout and tug on your pantleg with one hand while waving the comic book/manga/book they think you may be into with the other. They are there to remind you have options but ultimately, the choice…is yours. Librarians and libraries are sort nice like that.

So this website, retrobacklore.net, is going to be a virtual, gentle nudge of the things I am interested in, and perhaps you or your library may be interested in as well. As the title indicates comic books [from all countries], librarianship, and, that’s right, WHITE-HOT DATA ON DATA ACTION [I am starting a campaign to have this phrase replace 'metadata.' JOIN ME.] will be discussed. I hope you will stay awhile to see what adventures await us but again, the choice is yours.